Thursday, 28 December 2017

The Artist Who Paints With Fire

Steven Spazuk’s flame-powered technique is inspired by 1930s Surrealists. 

Artist Steven Spazuk sets his paintings on fire. Usually that’s the sign of something being destroyed, but not in Spazuk’s case. Instead, he is employing the art of fumage, a technique popularized by Surrealist painters in the 1930s, that uses fire like paint. Using the soot an open flame leaves behind on the paper, Spazuk explains on his website, he “sculpt[s] the plumes of soot to render shapes and light” using brushes and feathers.

In an interview with Slate, Spazuk said he started experimenting with the technique after a dream. “I was in a gallery [in my dream] and was looking at that black and white landscape and I knew that it was done with fire and completely understood the technique,” he said. “That was in April of 2001, and I have been working with fire ever since.” 
This unconventional technique produces an element of unpredictability in Spazuk’s work, something that intrigues him even more. As he says on his website, fire, and its ability to be “both a constructive and destructive force is a constant factor in my creations.”

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Resource   :https://www.atlasobscura.com/articles/painting-with-fire

Tuesday, 19 December 2017

HARMONIC EASE: Tatyana Kulida and Mio Reynolds showcase a study of peace in latest show at Art in Bloom

"Beauty, like love, is a limitless resource and is available to anyone,” according to portraiture artist Tatyana Kulida. “Hostile thoughts and actions are ugly and they do not sprout in harmonious soil. They are a result of imbalance and fear.”


Peace and harmony are the focus of Kulida’s latest show, “Dreaming of Peace,” at Art in Bloom Gallery in downtown Wilmington. Alongside realistic faces of friends and family are still-life floral arrangements, some of which pop off the canvas with perfectly etched lines of color representing light. In fact, it’s the true craftsmanship in Kulida’s work overall: She understands light and shadow to near perfection, which make her paintings look as real as photographs.

“Harmony is something I search for when selecting colors and creating a composition,” Kulida tells. “With my portraits, I seek for a harmonious expression and pose. The portrait ‘Reading’ carries a certain inquiry in the sitter, yet she is in harmony within her pose and herself.”

Included in the show are Kulida’s and her daughter’s self-portraits, both of which are newer works. The full-time artist—who has been painting for two decades now—puts in anywhere from 15 to 30 hours of work in each painting.

“I still heavily edit my work and not every painting I produce ends up framed and on a wall,” she notes. “I prepare my materials and many of my frames by hand. Gilding layers and preparation can take up to 10 hours alone.”

Her subject matter remains a passion: people. She often has models in her studio, including friends. And she is well-known for her commission work.

Floral still-lifes are new to Kulida, who began doing them as an exercise in composition and color, and as a respite between portraits. Some of the florals are in arrangements, others singular.

“There are a few pieces featuring traditional water gilding technique I have recently learnt from a restorer in Italy,” Kulida notes. She calls Italy her creative home, Wilmington her American home (where she has had shows at ACES Gallery, Caprice Bistro, Patterson Gallery and Frames, and Cameron Art Museum), Russia her birth home, and New Zealand her current home.

“New Zealand is a place for discovery and experimentation,” Kulida tells, “But I lived in NC for over a decade; I received my B.A. and M.A. here. In NC I have many dear and long-term friends whose faces mean comfort and love.”

Of such is local Japanese artist Mio Reynolds (cover model), who is sharing space in the exhibition with Kulida. Reynolds also has included portraits to represent ideals of rapprochement. Two were painted during CAM’s night classes at the Museum School, directed by Donna Moore.

“‘Reflecting’ and ‘Christina’ started there and I worked on them further at home, adding colors and backgrounds,” Reynolds says. “Reflecting” features a young woman whose stillness of facial expression indicates she’s looking inward and assessing the meaningfulness of her life. Reynolds and Kulida believe such wholeness comes from good will, even if the process of getting there isn’t always uplifting.

“I use painting as a way to channel emotions, some of which are very violent and have to be released,” Reynolds details. “Sometimes profound sadness can be triggered by poems; in order to release deep sorrow one has to express it. I paint a painting, and once the feeling is expressed, I feel peaceful.”

Reynolds finds inspiration from nature, music, a past experience, or even the written word. Two poems, “Over the Mountain” by Carl Busse and “Peace Prayer of Saint Francis,” hang in tandem with Reynolds’ works. The hopeful line, “Make me an instrument of peace…”, opens the prayer, which both Kulida and Reynolds are hoping to represent through art and action. Thus, partial proceeds from “Dreaming of Peace” will benefit DREAMS Center of Arts Education in Wilmington; the 2018 encore Best Of beneficiary, which keeps arts alive for at-risk youth. Kulida was a board member of DREAMS when she lived in Wilmington and when the nonprofit was fundraising for its current home at 901 Fanning St.

“Back then I lived on Ann Street, a block or so away from the original DREAMS home,” she tells. “I felt passionate about the work they were doing in the community and  served as a board secretary for a year. I passionately believe investing into children and their education is much more profitable in terms of social returns, as well as financial, than having to heal and subsidize in some way adult lives that are broken or unfulfilled.”
Details:
Dreaming of Peace
Art work of Tatyana Kulida and Mio Reynolds
Art in Bloom Gallery
910 Princess St.
Hangs through Jan. 13
aibgallery.com 

Resource :http://www.encorepub.com/harmonic-ease-tatyana-kulida-and-mio-reynolds-showcase-a-study-of-peace-in-latest-show-at-art-in-bloom/

Painting dreams in the city of stars

Amarjot Kaur
Like a window in the wall, 39-year-old artist Ranjit Dahiya’s murals of Bollywood stars, and their films’ posters, have been spelling the Bollywood cult and its evolution over the years.

Since 2012, he has been nurturing the Bollywood Art Project (BAP) and has created a 230-foot tall mural of Amitabh Bachchan’s iconic look from Deewaar in Bandra and late Shashi Kapoor’s 12-foot tall portrait at his studio.

As he prepares to paint a portrait of Smita Patil at his studio, a task that he undertook last Wednesday, he is reminded of her eternal beauty and grace. “She was 31 years old when she died. Today, it’s going to be 31 years since she died. I will take a few days to complete this one. I think she’s extraordinarily beautiful,” he says.

Calling it a creative outburst that defines the very core of his being and influences, Dahiya identifies with Bollywood not only because it is popular but also because he has been associated with it ever since his brush with the brush!

On the wall

He peaked to success with poster making, and painting commercial ads on walls, rediscovering the era when ‘internet printouts on flex’ were neither an option, nor fashionable enough. “I was whitewashing at a school in Sonipat for Rs 40 a day, the principal demanded that Goddess Saraswati’s picture be painted on a wall. I volunteered for it, to make extra bucks. That’s when I realised I can paint. So, I ended up painting advertisements on boards and walls, and truck art too, back in 90s,” he says.

A graduated Chandigarh’s Government College of Arts, Dahiya did his masters in graphic design from National Institute of Design in Ahamdabad. “That’s also when I learnt English, by the way,” he adds. “I had the taste of Bollywood’s popularity in France, back in 2009. I met a France-based Indian artist in Mumbai’s Wall Art Project who landed me an exhibition and a show in La Rochelle. There, I met a girl who could barely speak in English, let alone Hindi, and she was singing Nimbuda Nimbuda Nimbuda..’ when she got to know about my nationality. I painted a mural of Sarkar Raj in Paris, In La Rochelle, I painted a mural of a residential area that was to be demolished after a year, and held an exhibition on ‘The History of Bollywood’ too.” 


At present, Dahiya teaches at Balwant Sheth School of Architecture in Mumbai and he is planning to take his Bollywood Art Project further. “I painted Amitabh Bachchan’s look from Deewaar just before his birthday and this is one is the biggest murals in the country. It was sponsored by Zee,” he signs off.

amarjot@tribunemail.com
Resource :http://www.tribuneindia.com/news/life-style/painting-dreams-in-the-city-of-stars/515797.html